🎨 Long time coming - and now, going! 🔁🏕️🥔

First published via MailChimp Tue, Apr 15, 2025 1:49 pm

🎨 Long time coming - and now, going! 🔁🏕️🥔

"For me, exploration is about that journey to the interior, into your own heart.” ― Anne Bancroft


I hope this finds you well, enjoying a cheerful part of your day.  

I haven't shared a newsletter for quite some time - 5 years, in fact 
(see footnote) i.e., it's "been a long time COMING". The reason I'm sharing news, now, is because I am excited to tell you about my GOINGS. Thank you for accompanying me through this email.
Recently in March, I was an artist-in-residence in a cozy program housed on the "north fork" of Long Island.

The time at The Potato Farm Project challenged me to put hustles on hold and confront a quiet place where I explored my own motivations and capabilities regarding my studio work. It was both clarifying and refreshing. While I normally like to work in a bigger scale, I was delighted to have captured the charm of one particular view from the studio in a mini painting. 
There was something so meditative about lining those beadboard walls with a tiny paintbrush...

Upcoming this June, I am honored to be an artist-in-residence at Weir Farm National Historic Park in Connecticut. 

Weir Farm has deep roots in American art, inspiring artists for more than 140 years and now hosting 6 visual artists per year to spend one month living and working at the Park. I am privileged to be a part of 2025's cohort: 

Weir Farm's A-I-R Program prioritizes thought-provoking approaches to interpreting our world through contemporary visual art practice. So while I'm in residence, I'm going to further explore my pictorial thoughts about human struggle in the environment in which one exists.

When I think about "landscape painting," I lean towards Romanticism, Hudson River School, and Post-Impressionism - for me, these art history movements are doorways into thinking about relationships to ambition and desire. So at this residency, I am situating myself in a place where influences from the Hudson River School and American Impressionism are directly connected to the landscape.
My college professor William Bukowski was a big fan of the French Impressionists - and while I couldn't get on the Monet train at that moment, I did visit an exhibition at the Minneapolis Institute of Arts on American Impressionism, and (spoiler alert), became utterly enchanted by the paintings.
(Upland Pasture, Smithsonian American Art Museum)

JULIAN ALDEN WEIR (b. 1852, d. 1919) was part of a distinguished family of artists, as well as an influential and beloved presence in the art world. While the "short version" of his story leads with him as an American Impressionist, he was actually resistant to (French) Impressionism. But through his experimentations with pastels of his landscape on his Connecticut summer home (spoiler alert) Impressionism made more of an impression on him. 
Video courtesy Trust for Public Land: https://www.tpl.org/our-work/weir-farm-national-historic-site
I am honored to have been chosen to become part of the many artists who have been inspired by this place - A National Park for Art, am grateful to the jurors of this year's program; and thankful that programs like this exist to serve as guardian[s] of our diverse cultural and recreational resources. (To see more, Weir Farm offers virtual tours at nps.gov/wefa). If you're "in the area" this June - come visit!

I wanted to include this last note (I guess it's "olds," now rather than "news") in the officialness of a newsletter because I was just so chuffed about it. Since I wrote my last newsletter, I've accomplished other art things - so if you're curious about other un-reported remarkables, see my "News & Notes" on my website.

NEWS & NOTES

Earlier this year (September 14, 2024 – January 19, 2025), my work was curated into a museum exhibition!

The Heckscher Museum of Art in Huntington, NY invited artists on Long Island to submit work engaging with contemporary social, cultural, or political issues. I was honored to have my painting, “InDecision” curated into this exhibition.

Amongst the opportunities in which the Museum invited the Biennial artists to participate to increase accessibility to the exhibition, I and my painting were featured in an “Artists in the Galleries” session, as well as on the Bloomberg Connects app, and the Museum’s YouTube channel.

Along with these comings and goings, I hope that our paths may cross in the future, too. Until then, may your own journeys be smooth with beautiful discoveries around every corner. 

Thank you for letting me share this news with you!
Charis

 

FOOTNOTE: The past few years have, I imagine for most of us, been challenging. They have been chaotic for me, so I pulled into my shell and as such my sharing of news has been few and far between. That notwithsthstanding, I am notoriously late with any kind of correspondence - i.e., I've got holiday cards still needing to be sent out...from 3 years ago. Forgive me, my perennial excuse is that I was born two weeks past my due date! 🤷

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🎨 Gallery Talk - TONIGHT! 💻 💬 📣

First published via MailChimp Sat, Apr 4, 2020 9:43 am

🎨 Gallery Talk - TONIGHT! 💻 💬 📣

"We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.” ― T. S. Eliot

Dear Friends,

I hope you can join me TONIGHT at my VIRTUAL GALLERY TALK that Abend Gallery and Curator Caitlin Hurd have specially set up for the Artists Off Grid Exhibition. 

Because Abend Gallery is exercising caution and care for their patrons and public by closing their physical doors, they have opened up online gateways for you to still see the exhibitions, and to get to know the artists. It's a privilege to work with them - they are a gem of a gallery: creative, caring, and super cool! 
 
Artists Off Grid was my first experience focusing on the landscape, and my first time in Colorado. Even though I'm an car-camper (some mayyy have accused me of glamping, but I won't cop to that, even with my camping-specific fresh pepper grinder), this was my first time tenting sans car, sans power, sans painting "plan." See what happened and hear my stories at the Gallery Talk. (This is ALSO my first "gallery talk" online!) 
(Many times I've not been able to go to someone else's exhibition, and I often wished there was a way to "be there" online! I am now thrilled to offer YOU the opportunity to be there with ME!)

Please check out the show online, share with a friend who may also need to see some powerful images right about now, and make plans to listen in on the "Gallery Talk".
I look forward to seeing you there! 

Thank you for letting me share this quick reminder with you!
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🎨 Waggling with excitement... I received a grant! 🐝

First Published via MailChimp Mon, Nov 25, 2019 2:50 pm

🎨 Waggling with excitement... I received a grant! 🐝
“Even though the bee is small, there she is on the flower, doing something of value. And the value she creates there contributes to a larger ecosystem of value, in that mountain meadow, in that range of mountains, in the world and even the universe. And can’t you just feel how happy she is?” ― Jay Ebben, Painted Hives
Dear friends,
I am proud and honored to announce that I have been awarded a "Creative Individual" grant! I am one of four recipients of this award in Long Island, which is part of New York State Council on the Arts' 2020 Decentralization Grant program. 

Through this grant, I will paint portraits of notable beekeepers on Long Island. My "It Begins With A B(ee)" Portrait Project will give portrait participants a chance to share their personal trials and triumphs viewed through an artistic, apicultural lens.

Huntington Arts Council "Creative Individual" Grant supports artists creating NEW, original work in projects of outstanding artistic merit that involve a segment of the community through the development and creative processes of the artist's project.

My husband and I are members of the Long Island Beekeepers Club, and are enthusiastic beekeepers ourselves. As current conversations often turn toward issues like climate change and healthy living, ensuring the existence of pollinators on this planet is vital. Like a beehive has a complex system of relationships and responsibilities, a deeper understanding of how our human relationships depend on each other - and nature - is vital to our own well-being. This portrait project is designed to illustrate both notable caretakers of pollinators in my community, as well as the importance of personal environmental stewardship. 
I will be documenting and sharing this project's progress on my website. Towards the end of 2020, the portraits will be exhibited with texts and audio describing their personal, and pollinator-oriented, stories.

I am grateful to the Board members of the Long Island Beekeeping Club and the panel judges from Huntington Arts Council who believed in this project, and now I invite you to watch the portraits come to life! 
Thank you for letting me share my studio news with you.
Infrequently, I gather up a bit of news about my artwork in a short e-epistle like this, aiming for a semiannual share in Spring and Autumn. Thanks for staying connected with me.  
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You are receiving this e-mail because you opted into my list, or we connected via social media or a project, or I added you because I thought you might be interested. Please accept my apologies if this reached you in error, and thank you for scrolling/reading all the way to the bottom! ;)  You may update your preferences or unsubscribe from my newsletter.

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🎨 Open Doors, Open Studios! 🔑

First published via MailChimp Thu, May 30, 2019 11:41 am

🎨 Open Doors, Open Studios! 🔑
“There are things you know about, and things you don’t, the known and the unknown, and in between are the doors..."
- Ray Manzarek, Newsweek, 1967
Hello folks!
I am excited to invite you to this year's "Open Doors Open Studios" at The Clemente in the Lower East Side, where I will be a guest artist in the studio of Lisa Lebofsky. 

The Clemente Soto Vélez Cultural and Educational Center, a gorgeous Dutch neo-gothic former school, is my dream studio building and I'm honored to be gifted a wall this weekend to show my work in the studio of one of my art-heroes, Lisa Lebofsky.

Lisa is a fearless artist. Her indomitable spirit enables her to pursue a nomadic studio practice, painting on site where icebergs migrate and beaches crumble. Focusing on places and people in areas that are particularly susceptible to climate change, her paintings are made in participation with the landscape: using both natural pigments of paint, and often local materials like sagebrush and stones in her markmaking. Her New York studio is a capsule of many journeys, one of which I was lucky to share with her in Colorado last year as we both participated in the 2018 Artists Off Grid residency. 

At "Open Doors, Open Studios" you'll see a few selections of my exploratory fleshy landscapes and a couple of larger works as well as a double portrait of me and my muse in a group exhibition in the 4th floor hall hung by Priska Juschka, director of Lichtundfire gallery.

But what I'd most like to see there is you! Come visit me (and Lisa's work) in Studio 409 at 107 Suffolk Street on Friday, May 31 from 6-9p and Saturday, June 1 from 4-8p. 

 Art and religion, carnivals and saturnalia, dancing and listening to oratory—all these have served, in H. G. Wells’s phrase, as Doors in the Wall. And for private, for everyday use there have always been chemical intoxicants. - “The Doors of Perception” by Aldous Huxley, 1954

(Of course, there will be wine, too.) 

Thank you for letting me share my studio news with you!
 
I infrequently gather up a bit of news about my artwork in a short e-epistle like this, aiming for a semiannual share in Spring and Autumn. Thanks for staying connected with me.  
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You are receiving this e-mail because you opted into my list, or we connected via social media or a project, or I added you because I thought you might be interested. Please accept my apologies if this reached you in error, and thank you for scrolling/reading all the way to the bottom! ;)  You may update your preferences or unsubscribe from my newsletter.

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🎨 Hic Sunt Dracones? 🐲

First published via MailChimp Sun, Jul 1, 2018 10:30 am

🎨 Hic Sunt Dracones? 🐲 
Dear fellow travelers,

Since our big move last fall, I haven't been making much art. I tell myself it's mostly because unpacked boxes are still squatting in my studio, but I know I'm lying: the space in my head has been navigating the roads of a new place, a new job; the time I have has been unpacking a revisioned future. Paint colors are employed in the service of walls, not canvases. Accordingly, I've made it a practice to paint every square inch of wall (and ceiling!) by hand with a brush, not a roller. Meditative, yes. Efficient? Ummm... 
Oh, the endless palette of paint samples. 
Space And Time in an artist's world is often synonymous with "residency," and I'm grateful to announce that these have been awarded to me by the Artist Off Grid residency program, encouraging me to step out of my present landscape of hand-painted walls and lengthy to-do lists to make actual art. In a few days, I'll be heading into the wilds of Colorado - and my own mind - to focus, re-center, expand my horizons. The work that I'll be doing on this residency will then fertilize paintings which will be shown in an exhibition at Abend Gallery in Spring 2019.

I've recorded some of the hopes and fears I have about my FIRST residency in a post on my website: thinking about the space beyond the known map of one's plans to where fantastic beasts might exist. I will also be writing and collecting during the residency, but will not be able to share with you until I return. 
In the middle of July, my online connectivity will be offline. It's funny, don't you think, how 30 years ago we all lived "off grid" (well, almost... you know what I mean) - and we all survived? Where I'm going there will be no electricity, no water, no cell phone service. There will be hills and valleys to hike, trees to meet, art supplies to trek, fellow artists with whom to create, protein bars on which to snack, and vistas to inspire. Come along with me as I explore uncharted territory. 
Thank you for letting me share my studio news with you!
 
I infrequently gather up a bit of news about my artwork in a short e-epistle like this, aiming for a semiannual share in Spring and Autumn. But you may always see what I'm currently up to on my social media. I hope you'll stay connected with me! 
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You are receiving this e-mail because you opted into my list, or we connected via social media or a project, or I added you because I thought you might be interested. Please accept my apologies if this reached you in error, and thank you for scrolling/reading all the way to the bottom! ;)  You may update your preferences or unsubscribe from my newsletter.

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🎨 I am in Rock(land), I'm in (Long) iii-sland...🎤🎶🎵

First Published via MailChimp Sun, Oct 22, 2017 10:33 am

 🎨 I am in Rock(land), I'm in (Long) iii-sland...🎤🎶🎵
"Seasons change and so do I..." 
Dear friends & family,

The leaves are just tinged with gold, and the crickets' night songs* are slow and soft. Cats are snoozing in sunspots that slide across our living room. But as the season is slowing down for its "long winter's nap," things in my house are ramping up. After living at an artist's estate in the lower Hudson Valley in Rockland County for the last 5 years, we are moving. The artist-in-residence program at "Vytlacil" where my husband and I were caretakers has finished, but we are starting a new chapter in our continuing story.
 
The last few years have been a bit of a gauntlet for me: deaths, sickness, and trials have taken their toll on my energies. I haven't gotten as much painting work done as I would have liked to (but isn't that always the case?) but I did complete a good burst of projects over the summer. I am hopeful now, not to leave a location that I have come to love in spite of the hardships but, to take a risk with a new job in a new location, anticipating a renewal of peace of mind and growth of spirit.

 
Please update your contacts with my new home address:
371 Asharoken Avenue, Northport, NY 11768

 

(If you're wondering why you're receiving this email - scroll down for an explanation note in the footer.) 
Oh, Hudson Valley studio, so long, farewell, auf wiedersehen, good-bye. I flit, I float, I fleetly-flee, I fly. 
I'm excited to share these exhibitions with you:
I'm honored to be invited to two exhibitions celebrating the 500th anniversary of Martin Luther's bold spiritual inquiry: 95 "theses" for discussion amongst his peers, posted on the local bulletin board in Wittenberg at the end of Europe's Medieval Age.
CURRENTLY

I'm heartened to have work on the walls for Bethany Lutheran College's REFORMATION 2017 exhibition with some dear friends & mentors: William Bukowski, Jason Jaspersen, Eric Ouren, Andy Overn, and Paul Trapp. Though we're flung far and wide since spending time in the classrooms at our alma mater, sharing space in the gallery is the next best thing. All together, twenty eight Lutheran artists' work is on display in the Ylvisaker Fine Arts Center (aka, the YFAC: pronounced "Why-Fack") gallery. Many of the participating artists will be present to speak and answer questions at the reception, and if all the wires connect, I'll be video-conferencing into the reception. And if you're in the area, please stop by and see it in real life! 

RECEPTION: Thursday, October 26, 2017 - 7:00pm 
ON VIEW: October 1 - November 22, 2017
YFAC, 700 Luther Drive, Mankato MN

I am also honored to have been asked to participate in Concordia University's Reformation Reformed exhibition. Curator Keith J. Williams explains, "Martin Luther saw issues in his church and chose to try to reform the institution with an earnest intent to help foster a new relationship to spirituality among the people. This exhibition asks Lutheran artists to envision works of art that creatively project forward the concept of ongoing 'reformation' into an unknown future."

The work I chose to include has a composition based on a sculpture of the Roman god Janus in the Vatican Museum I saw on my first trip to Italy. Janus looks both forward and backward at the same time. I thought that one of its faces looked like mine, and I've always kept that buried deep in my memory. In this image, my sister and I are facing different directions: she to the end of her life, and I to the proverbial beginning of mine. I finished this work just one month before she died. In many ways, I feel like we were formed from the same stuff. She is now in heaven, having accomplished the goals God set for her to do - but God is still forming an unknown future ahead of me.

ON VIEW: October 19 - November 15
Concordia Art Center, 1301 Marshall Avenue, St. Paul, MN
RECENTLY
Guilt is an interesting thing: some folks build rigid walls in which to house preferred behaviors, and others have few scruples. In my case, I actually feel guilty for being an artist. But with every painting (and every studio newsletter I write), I numb that electric zap of creatively-assigned "guilt." And so, it is my pleasure to say that my work was accepted into the Bell-Ans' 120th exhibition & celebration, "GUILTY PLEASURES." The exhibition was curated by Lynn Stein, who shared in her gallery talk that the majority of artists in the show bled a similar vein of guilt in their artist statements. At least I'm not alone!  Read my snarky statement by clicking on the photo.
UPCOMING
In the midst of the big move, I am working on three small floral works for Union Arts Center's Patron of the Arts Sunday. Curator Elena McCabe notes that this event is a fitting complement to Black Friday, Small Business Saturday, Cyber Monday and Giving Tuesday. (Too soon? Sorry, folks - my newsletter needs to cover 6 months at a crack.) Watch my Instagram for more about this fun event as it gets closer to the Opening Reception on Sunday, November 26, 6-9pm. Not only will "patrons" be able to purchase beautiful new art, there will also be prizes for the patrons if they post pictures of their purchases, too!
#betterthanblackfriday
My erstwhile studio at Vytlacil as the last
"ARTIST-IN-RESIDENCE"
Thank you for letting me share my studio news with you!
 
I infrequently gather up a bit of news about my artwork in a short e-epistle like this, aiming for a semiannual share in Spring and Autumn. But you may always see what I'm currently up to - kittens, musings on life & death, works-in-progress, and the occasional beer - on my social media. I hope you'll stay connected with me! 

This letter carries my best wishes for you to you,
Charis 
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* Gotta give a shout-out to Simon & Garfunkel, Rodgers & Hammerstein, and The Guess Who for lending their musical stylings to my subtext captions. 
You are receiving this e-mail because you opted into my list, or we connected via social media or a project, or I added you because I thought you might be interested. Please accept my apologies if this reached you in error, and thank you for scrolling/reading all the way to the bottom! ;) 

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🎨 Spring into some things in my Studio 🌷

First published via MailChimp Thu, Mar 2, 2017 6:01 pm

 🎨 Spring into some things in my Studio 🌷
A small sampling as winter wanes (and alliteration abounds)...
Hello friends, family, and favorite folks!

What are your thoughts on winter? Do you hunker down in the dark to focus on the to-do-list* that doesn't get done? Do you add an extra dose of Vitamin D to your morning coffee routine to get through the day? In the wintertime, I find it hard to motivate myself beyond snuggling on the couch with my cats. And although that sounds beyond pleasant, I'm disappointed that I haven't gotten much done in the studio this winter. But there's empowerment in an affirmation of intent (like an outgoing newsletter with lots of interesting links through which to wander...) So with the spring equinox on the horizon, I'm fertilizing sleepy seeds of ambition to bloom some new paintings, prune up some curatorial projects, and twine myself more tightly into my studio practice.
 
(If you're wondering why you're receiving this email - scroll down for an explanation note in the footer.) 
This quick plein air study recently sold at Festoon on Hudson as part of the "Nasty Women" exhibition benefitting The Center for Safety and Change. 
I'm excited to share these exhibitions with you:
Click the photos below for more info.  
CURRENTLY

I'm honored to be included in THE FIGURE CONTEMPORARY, a national exhibition at the Santa Cruz Art League in California, juried by Noah Buchanan, whose artwork I respect and enjoy.

Noah states, "Not only is The Figure the most intriguing topic for an artist, it is also the least forgiving to depict." I concur completely: this small acrylic, Bobbie by the Irises, was painted from life, in the garden with the bugs, in one session as the light and shadows shifted with an indomitable live model. While the image may look cheerful and easy, working with the figure en plein air is one of the toughest scenarios in which I've painted! I was glad this painting was selected for the exhibition, as it is one of my favorites from the "nude in nature" studies on which I've been working. 

RECENTLY
I was glad to participate in two shows that echoed the "Nasty Women" exhibition which was organized after the 2016 presidential debates. From the original exhibition in Queens, NY, which sold out with overwhelming results, grass-roots "sister" shows popped up across the country raising awareness for human and women's rights. 

Hosted by HERA GALLERY, RI - one of the oldest women-founded gallery spaces in the US - a painting of mine was included in this show which benefitted Madre. At the pop-up exhibition hosted by FESTOON ON HUDSON in Nyack, NY, my painting helped raise $1,300 though the exhibition's proceeds for The Center for Safety and Change.
UPCOMING
Master draughtswoman Lauren Amalia Redding has drawn together a group of female artists (one of whom I am over the moon to be) at The Rockport Center for the Arts, TX, inspired by Charlotte Brontë's eponymous "plain Jane."

In her curatorial statement, Lauren highlights Miss Eyre's assertion to Mr. Rochester: “I am no bird; and no net ensnares me: I am a free human being with an independent will.” For a 'poor, obscure, plain, and little' governess to forge her own life was revolutionary and breathtaking when Jane Eyre was first published in 1847 [...] To create art is also an act in self-sufficiency, intelligence, and courage, and the eleven women artists in NO NET ENSNARES ME assert their own independent wills to make. Fastidious technical knowledge, exploration of materials, and emphasis on craft and skill demonstrate that these artists, and their artworks, speak in a voice as clear as Jane’s.
UPCOMING

Coming to Abend Gallery in Denver in June, I am pleased to be a recurring character in the second chapter of the palette painting show originally curated by Trek Lexington and Dina Brodsky. 

My artwork in the seminal POINT OF ORIGIN exhibition at NYC's The Lodge Gallery reinterpreted "La Source" paintings by Ingres and Courbet. I am revisiting this theme for the upcoming PALETTE show in Colorado. While I often get bogged down with "writer's block" when I attempt to describe in words the imagery that flows from my fingers, I'm eager to swim in another wet-paint whirlpool of concepts such as conquering and persevering, hubris and exploration, ripening and decay, dominion and desire. 


Share a link, a book, or an article with me?
I've been building up my website, adding a couple of fun sections on my "News & Notes" page. Check them out by clicking on the image below - and please do recommend an artist, an article, a book, or a link that you think I should know about. Dankeschoen!
Thank you for letting me share my studio news with you!
 
I infrequently gather up a bit of news about my artwork in a short e-epistle like this, aiming for a semiannual share, but you may always see what I'm currently up to - kittens, musings on life and death, works-in-progress, and the occasional beer - on my social media. I hope you'll stay connected with me! 

This letter carries my best wishes for you,
Charis 
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* What's on your to-do-list? Let me see now... there's the pants that need patching, the clothes that need folding, Christmas ornaments that (still) need organizing, books that need reading... ack, at least I finished this newsletter. Hooray! I'm going to get some wine. 


 
You are receiving this e-mail because you opted into my list, or we connected via social media or a project, or I added you because I thought you might be interested. Please accept my apologies if this reached you in error, and thank you for scrolling/reading all the way to the bottom! ;) 

You may update your preferences or unsubscribe from my newsletter.

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🎨 Inaugural 'News from Charis' Studio'! 🎉

First Published via MailChimp Wed, Aug 17, 2016 9:45 am

 🎨 Inaugural 'News from Charis' Studio'! 🎉
(Refreshes browser...re-types header greeting 3 times...)
Ehrm - uh, hi! This is my very first studio email newsletter. 
Hello friends, colleagues, family, and folks!

I hope this note finds you healthy, and bright. (If you're wondering why you're getting this message, please see my footer at the bottom of the email. I'm also kinda nervous about this whole "newsletter from my studio" thing, so I'm happy you're reading this!) While the summer wanes and a new season begins,* I'm eager to share a bit of news with you about recent happenings in my art world, and some upcoming exhibitions.
I'd love to invite you for a visit to my studio in the Hudson Valley.
I'm proud to share three bits of news from my studio:
Click the photos below for more info.  
○ This June, I was thrilled to be chosen as one of Sing For Hope's 2016 Piano Artists. The largest public arts project in NYC, The Sing for Hope Pianos are placed throughout the five boroughs - in parks and public places! My piano was painted full of lush roses, hydrangeas and peonies in remembrance of my sister.  
 
○ I was privileged to have curated the 2016 Summer Exhibition at the Elizabeth V. Sullivan Gallery at Vytlacil - both a celebration and swan song for the closing of the Art Students League’s artist-in-residence program where I currently work.
 
○ I am pleased to say that my small painting sold at the "A Conversation With Nature" exhibition, hosted in Sean Scully's studio in Palisades, NY. The exhibition supported environmental education at the Blue Rock School in West Nyack, the Lower Hudson Valley's only progressive independent day school serving students K-8. 
Sing for Hope
2016 Piano Artist
Curator for Vytlacil's
Summer Exhibition
"A Conversation with Nature" Benefit
I'm excited to share these exhibitions coming up soon:
Click the photos below for more info.  

○ I am thrilled to be included in the palette painting show curated by Trek Lexington and Dina Brodsky, coming to The Lodge Gallery (Lower East Side, NYC) in October 2016.

The show is called POINT OF ORIGIN so I am painting a wooden palette custom made for me by my muse, given to me to use in my studio way back at "the beginning."

Here's a sneak peek of the show:
instagram.com/palettepainting_2016

Opening details coming soon!

○ In her curatorial debut, metalsmith Elena McCabe is working with Sparkill's Union Arts Center to highlight EARTH IMPERMANENCE.

A selection of artists and scientists speaking about the vulnerability of world in which they live, this exhibition touches on the fragile beauty of our shared environment.

In this exhibition, I'll be showing one of my biggest paintings to date!

Join me for the Opening
September 3, 2-5p at Union Arts Cente
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Thank you for letting me share my first studio news with you!

In the future, I will gather up news about my artwork infrequently in a short e-epistle like this, but you can see what I'm currently up to - kittens, chickens, gardens, musings on life, works-in-progress, beautiful things, and (of course) beers - on my social media. I hope you'll stay connected with me! Feel free to share my newsletter with a friend, and please keep in touch. 

This letter carries my best wishes for you,
Charis 
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* Speaking of seasons, don't you agree that a new "year" coincides with the fresh scent of September?
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