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The Mark W. Potter Gallery at The Taft School, Watertown CT, is proud to present the work of Charis J Carmichael Braun, whose portraits of beekeepers spread awareness about the different ways we care for bees - in any yard by anyone - and encourages stewardship for a keystone species that nourishes our shared environment.
I am pleased my work was included in the Long Island Public Arts Festival, hosted in Geiger Park in Deer Park, NY.
Weir Farm has deep roots in American art, inspiring artists for more than 140 years and I am privileged to be a part of 2025's cohort.
I am deeply honored to be included in the 2024 Long Island Biennial: The Body Politic, at the Hecksher Museum in Huntington, New York.
Farmingdale State College is thrilled to announce, and I am delighted to share that my work has been included in the highly anticipated return of one Memorial Gallery’s most beloved exhibitions.
I am thrilled to be showing a selection of my work at Galerie Lucida with a group of friends. This exhibition’s theme is based on our get-togethers to paint “the nude in nature.”
I am happy to share that I will be jurying an exhibition, “New England Landscape” at the Lyme Art Association, Old Lyme, CT in September 2023.
I am honored and privileged to have made the interpretive exhibition design for “Edward Hopper’s Boyhood on the Hudson River & Emerging Artistic Identity” at Edward Hopper House Museum & Study Center. I collaborated with Edward Hopper House’s Executive Director to bring to life the environment for the show.
I am thrilled to have a work curated by Michael Gormley and Peter Trippi in Equity Gallery’s exhibition, The Male Nude: Turning the Gaze, which aims to level the visual field through a full-frontal celebration of men’s bodies.
To create art is also an act in self-sufficiency, intelligence, and courage ... and the eleven women artists in No Net Ensnares Me assert their own independent wills to make. Fastidious technical knowledge, exploration of materials, and emphasis on craft and skill demonstrate that these artists, and their artworks, speak in a voice as clear as Jane’s.
To use a musical phrase, this "Ribbon Cutting Ceremony" was the elision* to the largest public art program in New York City: Each and every one of the 50 Sing for Hope Pianos has been permanently homed in an NYC public school after their musical sojourn through the City's parks and public spaces. These pianos will now go on to have a new and resounding life supporting kids who love to learn music.
I am thrilled and honored to be included in this exhibition, curated by Dina Brodsky & Trek Lexington, at The Lodge Gallery in October 2016. Here's a sneak peek on instagram: palettepainting_2016
Each artwork in this exhibition is a vehicle for a personal interpretation of some of the emotions - joy, conflict, struggle, hope, anxiety, passion, challenge - that I have experienced through my time as a full-time Caretaker of the residency program at Vytlacil.
Seen through a feminine lens, climate and culture change, cohabitation, dominance, sacredness of place and perception are re-examined. The ensuing dialogue between these artists works encompasses the tension perched between permanent and impermanent.
And although the pianos — which are designed by an array of volunteer artists, community members of all ages, and celebrities — are only out in the public for two weeks, the plan is to allow the instruments to continue to have a life influencing others.
I want to share with you some of my best tips—and some ideas that might surprise you—to help you pull it all together for your upcoming residency.
Bringing together local and international artists based in Brooklyn, Jersey City, and Manhattan these selected works speak to the endless possible deviations from reality as envisioned by an unfettered mind.
In the age of instantaneous messaging, constant updates on news feeds, disposable anything and everything, lives broken down into shorter and shorter segments, catering to our waning attention spans – the works in Human Brevity question whether the soul or the internet is the path to immortality.
The mosaic tells a visual story with favorite Bible passages, Christian symbols and Bible stories. Like traditional stained-glass windows found in many churches, our artwork shares the hope, joy, faith, trust, peace, love and grace we have in our Savior. (These words are even hidden in the mosaic.)
A New Ulm native and photographer for The Journal, Braun volunteered to lead the effort to compile and design a 130-page book, an "active pursuit of one’s local history.”
Each year, Sing for Hope selects local and international artists to create individual piano artworks as a part of the largest public arts project in NYC. I've been wanting to be a part of this public art project since its beginning, and I was thrilled to be have been chosen for it! The design of my piano was in honor of my sister who died in June 2015.